Michel Ocelot presents these six inventive fairytales using
silhouette animation and the latest 3-D technology. Tales
of the Night is a bewitching mixture of classical storytelling with a
modern sensibility. Ocelot is inspired
by traditional folk tales from around the world, as well as real events; the
human sacrifice rituals performed by the Aztecs for instance, but the resulting
stories are witty and fresh.
‘The Werewolf’
Ocelot riffs on a familiar theme in fairytales, transformation. A handsome horseman marries a woman because
he mistakenly believes she was the one who sent him gifts while he was in
prison. So he reveals his terrible
secret to her on their wedding day.
‘Ti-Jean and Beauty
Not-Known’
Young Ti Jean
breezes into the Land of the Dead and finds himself faced with an impossible
set of tasks by the King of the Underworld.
Can Ti Jean win the hand of the King’s daughter Beauty Not-Known? Does the laid back young adventurer even
care?
‘The Chosen One of the City of Gold ’
A stranger is
appalled to find the beautiful women of the City of Gold are all sad. The reason for this soon becomes clear. They are to be sacrificed to a mysterious
creature which keeps the city intact.
The stranger resolves to end this barbaric practice once and for all but
must face down both the monster and the people who follow it.
‘Tom-Tom Boy’
Tom-Tom annoys the
hell out of the villagers in his small African town by using makeshift objects
as drums. When an old man teaches him to
use a magic drum he finds he has the power to make people dance.
‘The Boy Who Never Lied’
A boy with a talking
horse has a reputation for always being honest.
The King of Tibet place a bet with his cousin on that the boy will never
tell a lie no matter what. The cousin
gets his daughter to play a cruel trick on the boy and tries to manipulate him
into lying.
‘The Girl-Doe and the Architect’s Son’
A sorcerer turns a
woman into a doe in front of her lover.
So he embarks on a quest to find The Caress Fairy who can turn his love
back into a human again.
Though children will
enjoy this animated film, there is a dark heart behind many of the
stories. Ocelot’s tales acknowledge
death. They show love can be cruel,
people even more so, particularly in ‘The Boy Who Never Lied’ which ends with a
grievous loss. Tales of the Night should appeal to those who admire revisionist
versions of fairytales such as Neil Jordan’s The Company of Wolves (1984).
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