A throwback to star studded
guys on a mission war movies like The
Dirty Dozen (67, Aldrich) and Kelly's
Heroes (70 Brian G. Hutton) George Clooney's Monuments Men tells the true story of a group of veteran soldiers dedicated
to hunting down missing works of art during WWII. Based on the book 'The
Monuments Men' by Robert M. Edsel the film focuses on a disparate collection of
middle-aged museum curators and art historians brought together during the last
year of the War to recover rare artworks. The Monuments Men would eventually
recover five million artefacts from the ruins of wartime Europe
including pieces by Michelangelo, Da Vinci, & Vermeer. Star/director George
Clooney has assembled an impressive cast led by Matt Damon, Cate Blanchett,
Bill Murray, The Artist star Jean
Dujardin, & Britain 's
own Hugh Bonneville for this entertaining tribute to a group of unsung heroes.
Nobody would have pegged
George Clooney as a potential movie star back in the Eighties. Sporting an
unflattering mullet hairstyle which obscured his good looks and emphasised
instead his slightly goofy smile the young Clooney usually appeared in sitcoms
like the Different Strokes spin-off The Facts of Life and the first season
of Rosanne though he did make a rare
movie appearance in Return of the Killer
Tomatoes (88, John De Bello). A decent haircut and playing Dr Doug Ross in ER changed all this making Clooney a
household name and leading to opportunities in Hollywood . Since then Clooney has built an
impressive CV combining mainstream fare with more eclectic films. Less keen to
play the clown despite his easy charm and adept comic timing Clooney is an
increasingly statesmanlike figure these days heavily involved in political
causes.
In 2002 Clooney directed his
first film Confessions of a Dangerous
Mind based on the autobiography of American game show host Chuck Barris. Though
known for presenting trashy TV shows like The
Dating Game Barris made outlandish claims about being a hired killer for
the CIA in his biography. Bizarrely nobody has ever managed to disprove his
claims and Clooney's film retains this ambiguity. Clooney's father worked in
television as a news anchor and journalist and the film has an insider's
knowledge and affection for the medium. As does Goodnight and Good Luck (05) set against the backdrop of the
McCarthy hearings in 1953 as a journalist defies government policy and risks
being jailed as a Communist. Less successful was Leathernecks (08), an
attempt to recreate the classic screwball comedies of the 30's which continued
the long tradition of films about American football bombing at the box-office.
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